
For the best audiobook experience, use ElevenReaderBig Booty Judy 2
She gave them the pose. Somebody pays for it.
Written by Barron Darby
Ebook · Books By Barron
Friday came and went, and Judith Baptiste did not sell her building.
She drove to her own club meaning to sit her best friend of twenty-five years down with two glasses and ask her with her own mouth what she was doing coming up out of the back hallway at daybreak. She sat across from Simone for twenty minutes, listened to her read the reopening list off a clipboard, and could not make her face do one wrong thing.
Nobody comes for her after that, and the quiet is worse than the threats. Her liquor license goes in front of the License Review Board on the twentieth of October, and the man who wants her building does not need to send another text while the City of Atlanta takes her apart in public for free. Fourteen million people have watched six seconds of her body off somebody’s tailgate. A stranger wrote eleven pages about whether she is real. Judy has spent her whole life being looked at by people who thought that was the same thing as being seen, and she has decided to use the room.
So she reopens. Gold gown sewn on at six, six hundred and ten people on her floor, a gold sticker over every lens at the door, and a billionaire with eleven buildings and his mother’s name over a children’s hospital wing standing in her crowd.
What it costs her is the dead man’s last file, a detective on her eighth-floor stairwell, her mother in a folding chair in the lobby, and the one friendship she would have traded the building to keep.
Everybody notices Judy’s body. Almost nobody notices how much Judy notices. By the last night in this book, she has made both of those facts pay.
The second and final volume. A Books By Barron erotic thriller. Very explicit throughout. Adults only.
Chapter One
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Friday came and went, and I didn’t sell my building.
Came in from Adair Park a little after eleven with my best friend’s name sitting in a lawyer’s notebook and forty thousand dollars of a dead man’s money still laying in a gym bag under my brother’s hoodies, and went straight to my own office and worked the rest of that day like a woman with a payroll, because I have got one. Signed off on a linen invoice that was wrong by six hundred dollars and made Andre call them about it while I listened. Took a call from a member who wanted to know was his dues getting prorated for the closure, and told that man no in four different ways until he laughed and quit asking.
I had got in that truck on Mary Street fully intending to sit my best friend down with two glasses and ask her with my own mouth what she was doing coming up out of my back hallway at daybreak. That was the plan I carried up my own elevator.
And Simone came in my office twice.
First time she brought me a sandwich I did not ask for, set it on the corner of my desk, and stood there in a camel coat she did not take off, going through the reopening list on her clipboard out loud the way she has done in that room a thousand times. Eleven items. Linen, glass count, the sparkler vendor who wants his money up front now, two bottle girls who took jobs at a place in Castleberry Hill and want to come back, the sign man about the apostrophe. I sat there in that navy dress with my hands folded on my own desk and said mm-hm, that’s fine, tell him no. Then I looked at my best friend of twenty five years, listened to her voice, and could not make my face do one wrong thing. Second time she came back with a question about the lamb, and stopped in my doorway on the way out and said, “You all right? You real quiet today.” And I said I didn’t sleep, which was true, and she said mm, and went on down the hall.
That is the hardest work I have ever done in my life and I was sitting down the whole time.
Then I put my phone face up on the table in my condo and waited to find out what kind of people I was dealing with, because a deadline is only a deadline if somebody does something when it runs out. Poured a glass of wine and did not finish the glass. Took that navy dress off around midnight and stood in my own mirror in nothing but my skin. High on my left breast that mark was almost gone, a little weak smudge you would have to know about to find. I pressed it anyway and got about half of what that bruise used to give a woman. A man had been two miles away from me for nine days, calling me about evidence, and I was out here nursing a bruise like a girl keeping a note in a shoebox. Turned sideways in that glass the way I have been turning sideways in glass since I was twelve years old. Still high. Still round. Still the first thing anybody sees in a doorway and still mine. My body did not have one opinion about a liquor license or a dead man. My body was ready to go out somewhere and be looked at, and I told it to have a seat.
Nothing came. Saturday, nothing. Saturday I cleaned a kitchen that was already clean and watched a woman on television sell me a mattress. Sunday, nothing.
Sunday morning I laid up in my own bed with the fan wobbling and knew exactly what was happening nine minutes away from me. Miss Ruthie and her two nieces pulling up on Howell Mill with the van. The freight elevator coming down. And my best friend standing at that door in that camel coat with a cup of coffee, letting them in, same as she has done fifty-two Sundays a year for five years because I asked her to, because I did not want to come in on Sundays. I laid there and let that run all the way through. Did not get up, did not drive over to that building. That is the only intelligent thing I did all weekend.
Sunday night it came to me what the nothing was, and it scared me worse than any text that man ever sent me. They were waiting on the License Review Board. The hearing on whether my liquor license lives or dies is the twentieth of October, and Perla has it in her calendar, and so does Ivy, and so does the AJC. A man who wants my building don’t need to threaten a woman the City of Atlanta is fixing to take apart in public for free. All he has to do is sit still and let them do it to me on television, and be standing there the next morning with the same twenty-eight million dollars and a pen. No deadline. No second text. Just a grown man being patient in a good suit while the city does his work on a Tuesday afternoon in a room full of folding chairs.
I laid in that dark and got mad. Mad I can put to work. Somewhere in there I quit being scared and started counting.
So Monday, first thing, I called Ivy. “I need to shoot something today.” “Good morning to you too.” “Good morning, baby. I need to shoot something today.” “Judy, we talked about this. Crisis says silence until the hearing.” “Whose advice?” “Everybody’s. Mine. Your lawyer’s.” “Which lawyer?” “Ms. Okonjo said, and I’m quoting her, do not do anything clever.” That sounded exactly like Perla, five foot nothing with a Miami accent she only lets out when she is tired, reading me the weather for a city that is not hers. “Mm,” I said. “What time can you get me a crew?”
Ivy started in on my name the way she does when she is about to earn her nine thousand a month, and I went right over the top of it, because I had been laying in the dark since Sunday night with this already finished in my head. “Ivy, listen at me. Attention ain’t good or bad. Attention is a room. The only thing that matters about a room is who’s standing in it and what they came for. I been standing in that room since I was nineteen years old in a booth at Magic City on a Monday night with a plate of lemon pepper at my elbow, getting paid two hundred dollars to let a DJ say four words, and I know something your deck don’t.” “Which is what?” “You can’t make people stop looking at you, baby. You can only decide what’s standing behind you when they look.”
She didn’t say nothing, which from Ivy is not agreement, it is a girl writing something down. So I gave that girl the rest. “Ten days of DEATH CLUB. Fourteen million views on a six-second clip off somebody’s tailgate from before I even had the building. A stranger wrote eleven pages about whether my body is real, and I read every page of it my own self at my kitchen island with my coffee going cold. That ain’t a crisis, Ivy. That is the biggest audience I have ever had in my life, sitting in a room, waiting on me. For free.”
And the other part is just as true and I am not going to leave it out. Some of them eleven pages were ugly and some of them were men. A man in Marietta wrote three paragraphs about my hips like he was writing his congressman, with a thesis statement in it, and I read that one twice and then I read the end of it a third time. I am forty years old. I buried a member and an electrician inside of ten days, I have got my own best friend’s name in a lawyer’s notebook, and a stranger with a profile picture of a boat still got a little something out of me on a Monday morning. That goes in the file with the rest of my sins, and the Lord and me will settle up on a later date.
“Judy.” “Ma’am.” “Can I say the thing I’m supposed to say?” “Say the thing.” “A woman with a homicide in her building does not post content.” “That’s the thing?” “That’s the thing.” “You said it good too.” “I practiced it in the car,” Ivy said. “I’ll call the crew. But I want it on the calendar that I said no.”
“Put it on the calendar, then. In red.”
We shot it that afternoon on my own dance floor with the club dark and one light on me. Ivy brought four people and three of them had never been in my building with the lights off, and you could see it on them. A dark nightclub at three in the afternoon smells like floor cleaner, old smoke, and the ghost of about nine hundred perfumes. The air handler ticks. The glass wall is full of gray daylight with the whole city sitting out there doing its job. The camera girl walked my floor with a light meter and said this room is crazy, Miss Judy, about six times. A young man with a C-stand knocked a barstool over and apologized to me and then apologized to the barstool.
Black. Fitted, long sleeves, floor length, high neck, nothing out anywhere, because every soul watching expected the opposite, and a woman who gives people what they expect gets treated like what they expected. Hair down. Gold hoops, the small ones. Heels nobody could see, and they were on, same as every day of my life. And that dress was the whole argument. Covered me from my chin to my ankles and cut so close you could have read my pulse off my hip. Every bit of me was still in the room and not one inch of it was for sale that day. When I came up them three steps onto my own floor that entire crew got quiet, and the camera girl said oh, out loud, like she had seen weather.
Ivy’s sound man was maybe twenty-six years old, and he had to run a little microphone wire up the inside of that dress and clip the pack down at the small of my spine. That boy’s hands were shaking so bad he dropped the clip twice and then dropped it a third time on the second attempt. “Baby, breathe.” “Yes ma’am. Sorry, ma’am.” “And quit calling me ma’am, you making me feel like your auntie.” He got as far as the first syllable of it one more time and stopped himself cold, and his whole neck went red. His knuckles came up the small of my back with that wire and I felt every inch of it and so did he, and a boy with shaking hands is a whole different animal from what had a hand on me Saturday night. So I took that wire out of his hand and ran it my own self, and his ears went red all the way to the top, and Ivy looked at the ceiling like a woman praying for a different client. “He gonna be all right,” I told Ivy. “He gonna remember this day his whole life.”
One shot. No music. My empty club behind me and a dead neon sign up over my shoulder. Three sentences. We did it four times and used the first one, which is how it always goes, and the only reason I did the other three is that Ivy wanted them and I wanted that girl to have a win.
“Somebody died in my house. His name was Adrian Cross. I am not closing, I am not selling, and I am not answering one more question about my body.”
Then I stood there three whole seconds and did not smile. Nobody on that floor moved, and the air handler ticked, and the camera girl kept rolling about four seconds longer than she needed to because nobody on that floor wanted to be the one who said cut.
Behind me, on the cut, that neon lit. BIG BOOTY JUDY’S, eleven feet of pink and gold with the apostrophe that cost me four hundred dollars extra because the sign man tried to leave it off and I made him come back on a Sunday and put it on there. Caption underneath, exactly how I told Ivy to type the words. EVERYBODY’S WATCHING. SO AM I. Five years, November 7. The doors open.
Ivy did not care to post that video. She was right on the reasoning and wrong on the answer, and one person can be both of them things at the same time, which is a thing I have had to learn about people I pay. “You say his name, Judy. You say Adrian Cross out loud in a video that goes out under your brand.” “That’s the point.” “The point is it puts you and a homicide in the same seconds forever. That clip runs under every headline about you for the rest of your life. Every one. Your obituary, Judy.” “You practice that one in the car too?” “No,” she said. “That one just came to me.” “Mm.” “I’m doing my job, Judy.”
“I know you are, baby.” I sat down on the edge of my own dance floor in that black dress with my knees together and my heels out in front of me like a woman waiting on a bus, and Ivy sat down on the step next to me in her flats, and that is the first time in two years that girl has sat down in my building. “Now let me do mine. Two weeks that man been a punch line about my ass, and nobody has said his name one time. Not one blog. Not the podcast with the two men who think they funny. Not the lady on the morning show with the good wig. His daughter is nineteen years old. She is somewhere in this city right now reading DEATH CLUB on her telephone for the eleventh day straight, and her daddy is not in one line of the whole mess. Not his name, not his company, not his little recital story, nothing. Just my behind and a hashtag.”
Ivy sat there holding that tablet up against her chest like a shield. “They are going to say you used him.” “Some of them will.” “It’s going to be the women who say it.” “It is always the women who say it,” I said. “Somebody in this city is gonna say his name. Might as well be the woman they all think is too stupid to be sad.”
Before she hit the button I texted Tasha Yelverton. Watch my system tonight. Anybody touches it, I want to know. She came back quick, because that girl answers a phone like a woman expecting better news. Expecting company? Baby, I just sent out invitations.
Ivy posted it Monday evening right around six, when the whole city is sitting on the Connector staring at a phone. Four hundred thousand views the first hour. A million by the time I got out the shower. Two million before I went to bed, and I laid up in that bed scrolling it with my hair tied like a teenager, which is a thing I had promised myself I would not do and did anyway. Half the comments were people fussing at the other half. A woman wrote he was a human being and somebody’s father and that got ninety thousand hearts. A man wrote something about my dress and got eleven, and I will not pretend I did not check.
Tuesday morning Ivy called me screaming. “Channel 2. Turn it on. Turn it on right now, Judy.” It was on the morning shows, all of them, and a woman on one of them used the word dignity about me, which has not happened one time in my whole life, not in a newspaper and not in a church. I sat up on my own counter in a robe with my feet hanging and watched a stranger on television hand me a word I had never once been issued. My mother called me before that segment finished. Five foot one, from Santiago, and all she said was, “Ay. They finally said something true about you,” and then she asked me had I eaten, and I lied to my mother.
By Tuesday night, eleven million, and Ivy sent me a screenshot of the number by itself with no words on it, which from that girl is a whole paragraph. The comments turned. Not all of them. A good third of them never will. Enough of them came around.
Then there was the part that wasn’t about nobody’s feelings.
Right around six on a Monday I told the whole city my doors open the seventh of November. Not four hours later, somebody who wasn’t me and wasn’t Simone and wasn’t Zo tried to log in to my booking system.
Tasha called that same night before ten. “You were right.” I sat on my own mattress with my hair already tied and my heart going before she said another word. “Tell me.” “Somebody hit your booking portal twice tonight with your GM’s username. A couple minutes apart. Both failed, because you made me force a reset on every account and nobody outside the building has the new ones.” Papers moving on her end, and typing, and that girl types like she is mad at the keyboard. “They came in over a VPN, which everybody does, so that’s nothing. But the second try came from a device that’s been on your guest wireless before.” “Before when?” “Forty-one times, going back years.” She let that sit on me a second. “Most recently the night Adrian Cross died. On the network from right before midnight till almost three in the morning.”
My whole chest dropped down into my lap. “Tasha. Whose device?” “I can’t tell you whose, and I want to be careful with you, because you about to ask me to say a name and I am not going to say a name.” “Tell me what you can tell me.” “I can tell you it’s an iPhone. And I can tell you what the owner named it, ’cause people name their phones when they first take them out the box and then forget they did it, and this one shows up on your network by name.” “What’s the name?” “Just letters,” she said. “M-R-hyphen-R.”
MR-R. Miles Reddick, forty-one times in my building on his own telephone.
And the ugly part of me was wide awake for it, laying up sideways on my own bed scared enough to taste copper. I could see that man exactly. Big, quiet, hands folded at his belt in my hallway for forty-six minutes without leaning on one single thing, no phone out, no weight on either foot, looking dead at my face the whole time he talked to me like the rest of me belonged to somebody else and he was not interested in other people’s property. I have never in my life been looked at like that by a grown man. Everybody looks. He did not look, and standing in that hallway it had gone through me like a hand laid on my nape. I thought about them hands again, sitting on the edge of that mattress being terrified of that man. I would not say that out loud to Simone if Simone was still somebody I could say things to, and I am not fixing to pretend it did not happen either. Scared and wanting in the same body is not two feelings. It is one feeling and it does not have a name and I have had it my whole adult life.
Darius picked up on the first ring and I was talking before he got hello out of his mouth. He made me stop and say the whole thing twice, and the second time he made me go slower, and I could hear a pen on paper. “Judy, listen to me very carefully. Don’t touch anything. Don’t tell your GM, don’t tell your brother, don’t have Tasha do one more thing.” “Why?” “Because that is the first piece of evidence this whole month that isn’t a dead man’s word or your login or your friends. That is a third party’s device on your network the night of the death, and again tonight, a few hours after you told the whole world you’re reopening.” He let a breath out, and I heard him stand up off of something. “Judy, that’s a subpoena. A real one.”
“So we take it to Briggs.” “Yes.” Then, “No. Wait.” “Which one, Darius?” “Both, in order.” He was walking by then and I could hear it in the phone, that man pacing some room two miles from me with his shoes off. “We take it to Briggs. But not Tasha’s log by itself, because a defense attorney stands up and says your paid consultant cooked it up in a week you had every reason in the world to cook something up. It has to come out of your system with a chain on it. Briggs subpoenas your network provider and your wireless controller and she pulls it herself. That’s a few days.” “Four days.” “Judy, four days is nothing.” “Last week I was supposed to eat a pecan waffle with a man on Bankhead.”
He didn’t have one thing to say to that, and I let that man sit in the quiet.
Pree called Darius back Tuesday afternoon with the rest of it, and Darius put him on speaker in my office with the door shut. Little office, one lamp, the DVR humming in the closet like a refrigerator that is thinking about it, and that man had his chair pulled around the corner of my desk close enough that his knee was against the outside of mine the whole call and neither one of us moved it one inch. I had on the burgundy wrap dress that ties at the side, and he looked at the knot in that tie one time when he sat down and then did not look at it again for the rest of the afternoon, which is its own kind of looking and a woman knows the difference. Two people with a telephone between them on a desk and a dead man in the building, and I spent the first thirty seconds of a federal conversation thinking about a knee.
“The VPN’s commercial,” Pree said. “Dead end, same as every commercial VPN. They don’t keep logs, and the ones that say they do are lying to the police for twelve dollars a month. So I went the other way. I didn’t chase the connection. I chased the device.” “And?” Darius said. “Miles Reddick, forty-one. Sole member and registered agent of a Georgia LLC called Anvil Continuity Group, formed 2019. Anvil’s got exactly one client that ever filed anything with Anvil’s name on the paper. A real estate holding company out of a suite on West Peachtree. And that holding company is one of nine that share a registered agent with Vance Group Holdings.”
“So he works for Vance,” I said. “He doesn’t work for anybody, ma’am,” Pree said, and that boy sounded about thirty years old and pleased with himself, and he had earned the right. “He’s a vendor. That’s on purpose. A vendor’s a contract, and a contract’s got a termination clause. An employee’s got a deposition.” “Say that again.” “A vendor you cancel. An employee you have to explain.”
“Say the useful part,” Darius said.
“The useful part is Anvil’s filings list a principal place of business. It’s a building on Northside Drive.”
I came straight up out of my chair and that man’s hand came off his own knee like he thought he might have to catch me. “Say the address.” “Twenty-two hundred block, west side of the street, behind a fence,” Pree said. “Used to be a dental lab. There’s a sign in the window from a security company that went out of business in 2017, which I always think is funny.”
Adrian Cross on file three in that gray T-shirt, in front of a whiteboard somebody wiped and never cleaned. One card at a time, out of a locked room in a building on Northside Drive with a keypad on the door.
Sat back down slow with my palm flat on my own desk. “Darius.” “I heard the man.” “That’s the bank.” “Pree, thank you, I’ll call you back.” Pree said yes sir and was gone, and that man reached over and turned my own telephone around so the speaker was facing him instead of me, which is a thing he does when he is fixing to be a lawyer at me. “That,” he said, “is somewhere a woman who runs a nightclub is never, ever going to go. And I want to hear you say it out loud before I get up out this chair.” “Darius.” “Say it.” “I’m never going in that building, Darius.” “Again.” “I am never going in that building. You happy?” “No,” he said. “But I heard it.”
Meant it, too, standing right there in that chair.
Then he stood up and I caught his wrist before he got his jacket off the back of that chair, and I did not plan that one bit, and I held it about three seconds too long with my thumb on the inside of it where his pulse was going. That man looked down at my hand, then up at my face, and said my name one time. The whole thing. The government one, in my own little office with the door pulled to and the DVR humming in that closet. Then I let go of his wrist and said go home. He stood there a second. Then he picked up that jacket and went. I sat in my own chair behind a shut door listening to the elevator carry that man down to the street. Whatever that was between me and that man was no longer something either one of us was going to be able to put down and call evidence.
Then that night Celeste Wynn called me, drunk and crying, with music going somewhere behind her and a door shutting on the music. “Judy, I need to tell you something, and I can’t do it on the phone.” Second person in ten days to put that exact sentence in my ear, and the first one is laying in a gravel lot off Fulton Industrial with his own gun in his right hand.
I got in my car.
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